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A 12-channel mic / line problem solver
If you play, record, mix or listen to music, you
need this mixer!
The 1202VLZPRO has
recorded symphonies and audiophile acoustic guitar albums, done
network television and radio broadcasts, and more. Why? Because
it is a Mackie. That means features, reliability, and
affordability. And in the case of the 1202VLZPRO,
ultra-compact-ability. We call the 1202VLZPRO the "Swiss Army
Knife®" of compact mixers because of its many uses. Some people
use it as their only mixer in a small studio or multimedia/video
post suite. Big name producers and engineers use them for their
high quality mic preamps -- they've got the headroom and low
noise characteristics of those on very expensive mixing consoles
(or as the British call them, "desks"). Quiet enough to record
audiophile discs, the 1202VLZPRO makes use of Mackie's VLZ®
circuit design, just like all of our compact mixers.
Other features of the 1202VLZPRO
include: 3-band EQ, Mute/Alt 3-4 for an extra
stereo bus on a 2-bus mixer, low cut filter on mic channels
(1-4) for eliminating mic thumps and wind noise from your mix,
Control Room/Phones matrix for routing flexibility, balanced
inputs and outputs (except headphones, channel inserts, and RCAs),
and balanced XLR main outputs. If you're looking for a compact
mixer that packs an impressive punch, the 1202VLZPRO is it.
- 4 high headroom/low noise mic
preamps
- Low cut filter on mic channels
(1-4)
- 3-Band EQ (12kHz, 2.5kHz,
80Hz)
- Mute/Alt 3-4 for extra stereo
bus
- Control Room/Phones assign
matrix
- Balanced inputs and outputs
(except inserts, phones, RCAs)
- Balanced XLR & 1/4" main
outputs
- VLZ® circuitry for low noise
and dynamic programming
- Built-in power supply
- An "audio toolbox" for all
applications!
|
Mic Preamp |
|
Equivalent Input Noise (20Hz-20kHz) |
|
150 ohm |
-129.5 dBu |
|
50 ohm |
-131.0 dBu |
|
0 ohm |
-134.5 dBu |
|
Frequency Response |
|
-1dB |
5Hz to 100kHz: |
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-3dB |
3Hz to 192kHz: |
|
IM Distortion (4 to 1 ratio SMPTE) |
|
35dB gain |
0.0008% |
|
Harmonic Distortion (20Hz-20kHz) |
|
35dB gain |
0.0007% |
|
Gain |
|
Max |
+60dB |
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Min |
0dB or Unity |
|
Max Input |
+22dB |
|
Input Impedance |
1.3k Ohm |
|
Common Mode Rejection |
> 90dB |
|
Common Mode Rejection Ratio |
> 140dB |
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Main Mix Noise |
|
20Hz-20kHz bandwidth, 1/4" Main out, channels 1-4 Trim
@ unity gain, channel EQs flat, all channels assigned
to Main Mix, channels 1 and 3 Pan left, 2 and 4 Pan
right, Reference +4dBu |
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Main Mix knob fully counterclockwise, channel Gain
knobs down: |
-104dBu |
|
Main Mix knob unity, channel Gain knobs down: |
-90.5dBu |
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(90dB Signal to Noise Ratio, ref +4dBu)Main Mix knob @
unity, channel Gain knobs @ unity: |
-88.5dBu |
|
Total Harmonic Distortion (THD) |
|
1kHz @ +14dBu, 20Hz-20kHz. |
|
Mic in to Main out: |
0.005% |
|
Attenuation (Crosstalk) |
|
1kHz relative to 0dBu, 20Hz-20kHz bandwidth, Line in,
1/4" Main Out, Trim @ unity |
|
Main Mix knob down: |
-85dBu |
|
Channel Mute/Alt 3/4 switch engaged: |
-84dBu |
|
Channel Gain knob down: |
-83dBu |
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Frequency Response |
|
Any input to any output |
|
+0dB/-1dB |
20kHz to 60kHz |
|
+0dB/-3dB |
20kHz to 100kHz |
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Maximum Levels |
|
Mic in: |
+22dBu |
|
Tape in: |
+16dBu |
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All other inputs: |
+22dBu |
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Main Mix XLR out: |
+28dBu |
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All other outputs: |
+22dBu |
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Impedances |
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Mic in: |
1.3 kilohms |
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Channel Insert return: |
2.5 kilohms |
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All other inputs: |
10 kilohms or greater |
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Tape out: |
1.1 kilohms |
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All other outputs: |
120 ohms |
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EQ |
|
High Shelving |
±15db @12kHz |
|
Mid Peaking |
±12dB @ 2.5kHz |
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Low Shelving |
±15db @ 80Hz |
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Power Consumption: |
|
120VAC, 50/60Hz, 25 watts |
|
Weight: |
|
6 lbs 8 oz. (3 kg) |
Specifications are subject to change at any time without
notice. |
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